Each genre of writing has a timeframe, its temporal setting—for news, product reviews, press releases, and nearly all corporate writing; the timeframe is the present. Anything else—celebrity profiles, short stories, screenplays and stage plays, novels—can have any sort of timeframe you wish. A story about a Civil War soldier can be told in the present tense, as if it’s a thriller...
As all high school graduates know—or are supposed to know—in modern English, double negatives are considered at best improper and at worst, indicative of semi-literacy. “I don’t have none” is an ungrammatical response to a question such as “Do you have any money?” Even more ungrammatical are “stacked” negative elements, such as “I don’t have none never.”
Every piece of writing is founded on a point of view, or “POV” in screenwriters’ parlance. A story’s point of view may be objective or subjective, from inside or outside depicted events—sometimes called “interiority” and “exteriority” by writing teachers—and may have a singular perspective or multiple perspectives.
Here’s a snippet of an October 21 CNN news report about the debunked theory that COVID-19 originated in a Chinese laboratory, intended as a potent biological weapon:
Awkward sentence construction interferes with narrative flow in every kind of prose, from news reporting to fiction. Sometimes it’s unintentional on the part of harried or wooden-eared writers, and sometimes it’s a conscious attempt to adhere to a publication’s “house style.”
Feet, feat, and fete: English is riddled with homophones, words that are pronounced alike but are spelled differently and have different meanings. In this case: your pedal extremities, an achievement, and a celebration—all concepts so wildly divergent that it would be difficult to mistake one for the other, unless you are relying on your word processor’s spell-check function to make sure you have used the right one.